These images, especially seen placed among other, centuries older works, are fascinating, as is your beautifully written and provocative discussion of the exhibit. I have sat at my desk with these images on my screen for some time now, feeling impelled to stay looking at them, to move on and then go back, to coax their narratives from them. There is such intensity, which seems to grow greater in close-up. The horror they hold doesn't dissipate. It must be quite an experience to see the drawings in person. I wonder how the show is being received by the people who attend it.
Positively the most sensitive and thought provoking analysis of GB’s work.
Thank you Paul
These images, especially seen placed among other, centuries older works, are fascinating, as is your beautifully written and provocative discussion of the exhibit. I have sat at my desk with these images on my screen for some time now, feeling impelled to stay looking at them, to move on and then go back, to coax their narratives from them. There is such intensity, which seems to grow greater in close-up. The horror they hold doesn't dissipate. It must be quite an experience to see the drawings in person. I wonder how the show is being received by the people who attend it.